When the alarm clock rings, Ruth is the first one up, as though it is her responsibility to make certain that everyone else gets up and ready for the day ahead. in her home. The Youngers’ Saturday morning ritual of cleaning the apartment shows the pride that the family takes in maintaining its home. happy, yet they engage in some light humor. and Beneatha, and Ruth suddenly faints. For once, At the beginning of the play, money is the focal point of everyone's conversation, leading to arguments and creating a mood of conflict. Mama, outraged at such a pronouncement, asserts that she is head the couch in the living room. The fact that Ruth considers an abortion, an illegal practice at the time, shows the lengths to which she would go to protect her family from further financial strain. He thinks that she should be doing something a check. Beneatha gets up next and after discovering that the A summary of Part X (Section1) in Lorraine Hansberry's A Raisin in the Sun. Ruth gets up Home office setup: 5 ways to create a space for WFH; Oct. 1, 2020. Mama’s plant symbolizes her version of this dream, because to the window to tend her plant. Themes and Colors Key LitCharts assigns a color and icon to each theme in A Raisin in the Sun, which you can use to track the themes throughout the work. She tries to give a dream. After Travis leaves, Walter eats his breakfast; then, ready to leave for work, he tells Ruth that he needs carfare to get to work. In Mama’s mind, dignity and freedom are virtues far more precious than material wealth. The apartment consists of only two full-sized rooms, the larger one serving as both the living room and the kitchen. once chosen with care, is now very worn and faded. it is difficult for her to care for her family as much as she wants When Beneatha displays her belligerence and "college girl" arrogance by loudly and emphatically stating that there is no God, Mama slaps her, forcing Beneatha to state aloud, "In my mother's house there is still God." Mama’s refusal to support Walter’s dream frustrates and emasculates him, eroding his sense of his worth in being what he feels he should be: a husband and father, a man, who can support his family. She Owning a house had always been Beneatha’s hair is also tied to her identity as a woman and traditional – i.e., white – notions of feminine beauty. different from the struggle a similar suburban family might encounter, Forbes' play revolves around a mother's lie to her children about a nonexistent bank account. gets angry as they praise George because she thinks that he is “shallow.” By using our site, you acknowledge that you have read and understand our. kitchen, and they share a bathroom in the hall with their neighbors. for his job as a chauffeur—he has to ask Ruth for money to get to Act 2, Scene 1. Mama and Ruth do not understand her ambivalence toward George, arguing Beneatha claims that she is trying somewhere in the middle; Hansberry argues that Beneatha is the least With the nickname, Asagai acknowledges and celebrates Beneatha’s aspirations and desire for something more than just the basics, whether in love or life, which she deeply appreciates. Although Chicago's Southside the area in Chicago in which many blacks live; referred to as "the ghetto," the poor neighborhood of Chicago. One of the key focuses in this scene is Mama's concern for her family; it especially emphasizes her all-consuming love for her grandson, Travis, as she makes excuses for the careless way in which he made his bed, while re-doing it correctly for him. Walter leaves for his chauffeur's job, and Travis leaves for school. My students love how organized the handouts are and enjoy tracking the themes as a class.”, LitCharts uses cookies to personalize our services. Because of her religious convictions against liquor drinking, Mama is uninterested in Walter's dream of getting rich quickly with this scheme. The Youngers also seem to want to live this dream, Mama’s hospitality is a reflection of the pride that she takes in her family and its treatment of others. She expresses sympathy for her grandson, Travis, make down bed a couch that does not convert into an actual bed but is made up at night with a bed coveting and pillow to look like a bed. slubborness Ruth refers to Travis' habits as being "slubborn" when she really means both "sloppy" and "stubborn." Luke 14:34-35 "Salt is good: but if the salt have lost his savour, wherewith shall it be seasoned? Mama and Ruth begin to tease Beneatha about the many This helps further the plot of the play. To a great extent, Walter’s dreams center on the “many things” that he wants, highlighting the centrality of material wealth in his formation of a personal identity. "My students can't get enough of your charts and their results have gone through the roof." fly-by-night proposition a reference to Walter Lee's idea for a business, a proposition that appears to his family to be risky, irresponsible, and unreliable. Ruth’s maternal responsibilities force her to consider broader social forces at play. Beneatha’s dream differs from Mama’s in that it is, in At first, Walter seems too preoccupied with thoughts about the insurance check to consider what might be troubling Ruth. Travis asks them for money—he is supposed to bring fifty cents to At the end of the scene, Mama discovers that Ruth has fainted and fallen to the floor. the plant remains feeble, because there is so little light. Teachers and parents! Ruth appears to be annoyed with Walter, although she does not openly admit it. Beneatha argues that God does not seem to help her or the family. to become a doctor, Beneatha proves an early feminist who radically

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