And would it have been worth it, after all. Translated from the original Italian: "If I thought that my reply would be to someone who would ever return to the world, this flame would stay without further movement; but as no one has ever returned alive from this depth, if what I hear is true, I answer you without fear of infamy.". and, "Do I dare? To say: "I am Lazarus, come from the dead. 118). About The Love Song of J. Alfred Prufrock The yellow smoke that rubs its muzzle on the window-panes. Prufrock echoes Hamlet's famous "to be or not to be" (3.1.66) at the end of this line ("nor was meant to be"), a line that is about wondering whether it is worth existing ("to exist or not to exist") and couches itself in the passive tense ("to be"). And sawdust restaurants with oyster-shells: Streets that follow like a tedious argument. Prince Hamlet (111): Shakespeare's most famous character, from "Hamlet." Cf. About The Love Song of J. Alfred Prufrock, Read the Study Guide for The Love Song of J. Alfred Prufrock…, Sterility and Communion in T.S. dying fall (52): In Shakespeare's "Twelfth Night" Duke Orsino asks for an encore of melancholy music: "That strain again! Eliot, literature essays, a complete e-text, quiz questions, major themes, characters, and a full summary and analysis. Cf. Identify and comment on the effectiveness of the figure of speech present throughout the stanza. After the sunsets and the dooryards and the sprinkled streets. The Love Song of J. Alfred Prufrock study guide contains a biography of T.S. Dante meets the punished Guido (a false counselor) in the Eighth chasm of Hell, where Guido is imprisoned in a flame. Eliot admires the line in his essay "The Metaphysical Poets" (1921). And the afternoon, the evening, sleeps so peacefully! Let us go, through certain half-deserted streets, Of restless nights in one-night cheap hotels. The ironic divide is between utilitarian farm labor and the "works and days of hands" in empty social gestures. I have seen the moment of my greatness flicker. Prince Hamlet: not Shakespeare's noble prince, who resisted the temptation to commit suicide in his "To be or not to be" speech (alluded to at line's end), but instead characters like Rosencrantz and Guildenstern (cf. Lazarus: Jesus brought Lazarus, the brother of Mary and Martha, back from the dead by literally entering his tomb and bringing out the recently buried man alive (John 11.1-44). resource to ask questions, find answers, and discuss the novel. Among the porcelain, among some talk of you and me. Michaelangelo: Italian painter, poet, and sculptor (1475-1564). Eliot, the 1948 winner of the Nobel Prize in Literature, is one of the giants of modern literature, highly distinguished as a poet, literary critic, dramatist, and editor and publisher. To spit out all the butt-ends of my days and ways? When the wind blows the water white and black. Wayne, Teddy. spread out (2): This metaphor occurs many times in Henri Bergson's Time and Free Will (1889) to bolster the idea of "duration." Do I dare to eat a peach? Not affiliated with Harvard College. To have squeezed the universe into a ball (92): Cf. 117), and Osric (cf. a magic lantern: device that throws a magnified image of a picture on glass onto a white screen in a dark room. Cf. Southam's A Student's Guide to the Selected Poems of T.S. In the room the women come and go...Michelangelo (13-14, 35-36): French Symbolist (and heavy influence on Eliot) Jules Laforgue has a similar line about the masters of the Sienne school. Arms that lie along a table, or wrap about a shawl. The Question and Answer section for The Love Song of J. Alfred Prufrock is a great The imagery is suggestive of phallic penetration of the hymen. Paralysis, the incapacity to act, has been the Achilles heel of many famous, mostly male, literary characters. / Shall I part my hair behind? Shall I part my hair behind? To roll it towards some overwhelming question, Come back to tell you all, I shall tell you all" --. Prufrock's observation of his "(grown slightly bald)" head parodies the event and gives it the flavor of mock-heroism found throughout the poem. I am no prophet: Amos said, "I was no prophet, neither was I a prophet's son; but I was an herdman, and a gatherer of sycomore fruit" (Amos 7.14), when commanded by King Amaziah of Bethel not to prophesy. Andrew Marvell "To His Coy Mistress" (41-44): "Let us roll all our strength and all / Our sweetness up into one ball, / And tear our pleasures with rough strife / Thorough the iron gates of life."

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