** «Le corps sait tout» : autre recueil de nouvelles de cet auteur, Comment ça se fait que tout est si bon, quand je mange avec toi. Les passants me croisaient d'un air heureux, la lumière jouait dans leurs cheveux. i thoroughly enjoyed this story! Toutes les choses respiraient, leur éclat s'intensifiait, nourri par les doux rayons du soleil. Not even love can rescue a person from that.”, “All I wanted was to get through this as quickly as possible, to see the day when memories would be just memories. The book was translated into English in 1993 by Megan Backus with the rights arranged with Fukutake Publishing Co., Ltd. through the Japan Foreign Rights Center. From then, we can see how she learns to grow through this emotional devastation. où la cuisine, espace clos certes mais ouvert sur l'immensité de l'imagination gustative et colorée des mets. Satsuki, peu à peu, sort de l'adolescence pour entrer dans le monde adulte, passage sacré où Hitoshi lui tendra un témoin invisible, libérant le noeud de son âme. Both stories are told through the eyes of young women grieving following the death of a loved one, and deal with how that death plays a profound role in relationships going forward. Un instant magique, mystérieux, mystique au cours duquel les disparus apparaissent aux vivants, le phénomène de Tanabata. But to keep nursing the memory of a love so great you can’t believe you’ll ever love again is a useless drain on a woman’s energies.”, Click to email this to a friend (Opens in new window), Click to share on Facebook (Opens in new window), Click to share on Twitter (Opens in new window), Click to share on Reddit (Opens in new window), Click to share on LinkedIn (Opens in new window), The Guernsey Literary and Potato Peel Pie Society. The last paragraph is what really got to me. Dicono che qualcuno è pure in grado di sentirli e parlar loro. Dans une très belle scène, c’est elle qui console Yûichi, le jeune garçon qui l’a adoptée, en lui faisant savourer le meilleur katsudon qu’elle ait jamais mangé. I don't like books that concentrate too much on emotions, cause I feel just stuck in a very small head of a very small person. Un matin, Satsuki rencontre une jeune fille mystérieuse qui semble tout connaître d'elle. Banana Yoshimoto est le nom de plume de Mahoko Yoshimoto. On entend le bruit sec du couteau qui coupe les légumes, les fruits en menus morceaux, le crépitement des poissons ou des viandes dans la poèle, le "bouillottement" des eaux de cuisson où paresse le riz, les pâtes. “When I’m dead worn out, in a reverie, I often think that when it comes to die, I want to breathe my last in a kitchen,”, “Maybe all I had been hoping for was a bed in which to be able to stop thinking, just for a little while, about what happened before and what would happen in the future,”, “From the bottom of my heart, I wanted to give up; I wanted to give up on living. Oh my goodness, I cried more than I care to admit. This novella speaks of the healing power of saying a proper goodbye. And in a way this is more powerful to me as the nature of the loss is more similar to mine. Si possible, je souhaiterais qu'elles soient fonctionnelles, et lustrées par l'usage. It's my favourite thing of Banana Yoshimoto's. Accessoirement, c’est dans une cuisine qu’elle aimerait mourir. For this roundup, we took a look at the... C'è un giorno, un giorno soltanto, in cui in condizioni particolari è possibile rivedere i propri cari defunti. I felt so much while reading it, and I found myself close to tears at time. Sorry, your blog cannot share posts by email. We become so devoted to our human attachments that we lose sight of ourselves, of our progress, and that is what I challenge myself with every day. and so so sad. Post was not sent - check your email addresses! Ou alors ils sont tentés par la fuite, le refus du bonheur et de la consolation, comme Yûichi qui se réfugie au pays du tofu où il avoue mourir de faim…        Les nouvelles cheminent vers un apaisement, et la révélation finale confine au fantastique dans "Moonlight Shadow", dans une atmosphère étrange qui me paraissait plus développée dans les nouvelles d’Il corpo sa tutto**. The Intimacy of Tragedies: Kitchen by Banana Yoshimoto. Be the first to ask a question about Moonlight Shadow. Now I’m thinking four stars? There are details in mourning and during loneliness that we feel strongly but rarely solidify with words, and Yoshimoto does this effortlessly. She, alongside with Hitoshi's brother will need to find a reason to keep on living after the dead of a loved one. Dans "Kitchen", Mikage se retrouve orpheline et n’arrive plus à dormir, sauf dans la cuisine, contre le frigidaire. This story shows us how to care about others as well as our own well-being. " I am so jealous of what they were able to encounter at the end. Puis j’ai retrouvé, en français cette fois, le charme des nouvelles que j’avais lues en italien: la narration est fluide, élégante, avec de soudaines ruptures de rythme, car les narratrices s’attachent surtout à des impressions, à des souvenirs heureux, et ne racontent que les conséquences des grands bouleversements. I am aching, I need. Because the book is noticeably shorter than "Kitchen" I didn't think it would be as powerful. Beautifully written. I am often not too fond of nouvellas or short stories but this was Yoshimoto at her best! One thing I will say, though - Banana Yoshimoto has some simply yet beautiful prose going on. This pocket-sized book comprises of two ‘slice of life’ stories, the titular Kitchen and forty-page Moonlight Shadow. Banana Yoshimoto intègre une dimension fantastique dans son récit qui entraîne le lecteur dans un monde de l'invisible et de l'indicible. But this was a whole other level. I think I preferred the writing in the more developed version, kitchen, but this story is definitely incredible and even more painful. December 17th 2012 Les senteurs des épices, des condiments embaument les mots, les pièces de l'appartement. This feeling was unfortunately present here for me. The night he died, my soul went away to some other place and I couldn't bring it back. I mean, I'm happy I read it, but I wouldn't necessarily be too definite in recommending it. Yoshimoto's writing is so spot on in describing the feeling of longing and grief. I believe it to be an essential life skill that we were not taught. Elle est une écrivaine japonaise née à Tōkyō en 1964. Mais cette conclusion est particulièrement émouvante et m’a arraché quelques larmes…        Une lecture doucement mélancolique qui confirme la séduction de l’écriture de Banana Yoshimoto…            * autre nouvelle du même auteur : «La cuisine de Papa». Oh such joy. To see what your friends thought of this book, Yoshimoto's writing is so spot on in describing the feeling of longing and grief. C'était une journée enveloppée d'une lumière tiède, qui annonçait vraiment l'approche du printemps. Just beautiful! wouldn't say I liked it as much as I did like the bizarre scenery of "The Kitchen", but it was surely a one more good text by Banana Yoshimoto.

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