UK Film Lab Spotlight | Britt Spring », Casey - Very helpful. Color set to 0 or -1 will reduce that effect a little. You overexpose this recipe by about 2 stops from what might normally be the correct exposure. Highlight: -2 Yes, it will! As you can see from the exposure testing article, Pro 400H has an amazing dynamic range. Hi Ritchie, thanks for another great recipe! I just couldn’t believe that I finally did it! Discussion in 'Wedding and Event' started by angie_w, Jul 3, 2006. The effect can range from subtle to pronounced. To see Fujifilm Pro 400H exposure tested alongside 10 other films, follow this link. So, if I read it correctly, this recipe will also work on a x-h1 right? I guess I’ll just refer to you as the professor! Yesterday, following some inspiration, as I was playing around with the Provia film simulation, I created a look that I thought might work. Follow Us // Instagram, Home The effect can range from subtle to pronounced. I’ve heard that Fujifilm’s film sold in Japan is a little different than what’s sold elsewhere. I only tested with my X70 so far (X-Trans 2 sensor processor) I prefer the results with color at 0 and +1 for shadows (it only go to +2) and decrease the sharpness I find it more organic, filmic. ( Log Out /  I also debated on Color, settling on +1, which might be too high. It was close! Your knowledge and hard work gives us plenty of joy using our cameras! Hi Ritchie, thanks for another great recipe. But I should try before, I am sure the HT -2 will help. A few adjustments here and there, and this Fujicolor Pro 400H Overexposed film simulation recipe was born, and I spent the afternoon shooting a bunch of exposures with it. Color: +1 I just couldn’t believe that I finally did it! My father picked up a Pentax Spotmatic back when he was in the service, living in Guam. With this type of light and backdrop this hasn’t posed much of a problem, but in a different scene the need to remove excess magenta could cause unwanted colour shifts that adversely affect the result of your image. Yesterday, following some inspiration, as I was playing around with the Provia film simulation, I created a look that I thought might work. and developed, scanned & edited back at Canadian Film Lab. But still, the combination given us by Ritchie ensures splendid effects! I Will Always Love You – Farmington, UT – Fujifilm X-T30 “Fujicolor Pro 400H Overexposed”. A few adjustments here and there, and this Fujicolor Pro 400H Overexposed film simulation recipe was born, and I spent the afternoon shooting a bunch of exposures with it. What do you think about the difference in the film interpretation? Hi film simulation was Pro 400H. Sorry for the delay in the reply, it slipped through the cracks somehow. The exact look of overexposed Pro 400H varies, depending on how much overexposed, how developed, and how printed or scanned. Photographers often overexpose this film by as many as four stops. You might try some shots with +4 and some with +3 and decide which you like better. This helps me see the latitude is nearly equal. All film shooters should […]October 20, 2014 – 8:50 am, Why shoot film in the digital age? Here we have Fuji 400H shot at 2 stops under box speed, and 2 stops over box speed: We thought you might also like to see how each of the film stocks in our experiment, react to different exposures. Fujifilm introduced Fujicolor Pro 400H in 2004 and it’s been a popular film ever since. In this type of lighting our general recommendation would be for 2 stops of overexposure for optimum results. I do not like this film stock. A quick recap on … Grain: Weak Provia If you overexposed by 3 stops, no problemls. Noise Reduction: -3 Split toning is not possible on Fujifilm X cameras. These images were shot in pretty ideal light and the results definitely can’t be generalised across all lighting scenarios but it’s a great place to start! I tried and tried using that film simulation, and even PRO Neg. And what difference does changing my exposure make? Nobody pays me to write the content found on fujixweekly.com. Photographers often overexpose this film by as many as four stops. Hopefully with some experimentation, I can find where this film would shine in my work.

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